“A good painter has two main objects to paint, man and the intention of his soul. The former is easy, the latter hard as he has to represent it by the attitude and movement of the limbs.”
Vienna Porcelain Vase #60185
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Scrimshaw Whales on Walrus Ivory #60707
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They whittled away on the teeth of their catch, over 200
years ago now, sailors bored and fatigued. They plied from primitive ports on
the North American continent, their blades shaping the faces of women they
missed, ships they had known, captains they had loved and loathed, and mates
claimed by the depths. It was slow, exacting and tedious, this carving. But the
sailors had the time. Or rather, time had them.
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Dawn light spills gentle on the entrance of a cave in Chauvet, France, illuminating a stick figure, painted on the wall. An animal: four legs, head, ears, an eye. Looking at this figure is a man, sitting cross-legged by the ambers of a fire. He appears transfixed by the eye of the animal. The eye grows more clear with the increasing focus of a new day.
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